“It is [the] spiritual and evolutionary function of beauty—the power to generate life-affirming change—that is so vital to the visual arts and culture in general, and it is what is intentionally absent in much postmodern art…. Restoring the centrality of beauty in art may signal more than visual relief from the tawdriness of today’s art. It would also be a confident assertion that the future we seek is connected to our desire for beauty and to an appreciation of how beauty can help lead us to a more perfect tomorrow.”                     Carol Raphael       “The Beauty We Create” – See more at: http://ulaeinstein.com/category/art-blog/page/2/#sthash.nlrKMWNQ.dpuf
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I have been very lucky with finding some new artblogs recently – particularly as 3 of my regular ‘go to’ blogs are slowing down on posting, having slices of life I presume.
both make work I find inspiring and motivating, and make me the tiniest bit panicky 😉 I can see we have similar concerns and each have ideas they are working on that mean our work would really make a dialogue in a gallery (drags self back from delicious fantasy 😉 ) but if I don’t make more of the work in my head soon, it will look like I am bouncing off them at best and copying them at worst, when really these are ideas I have been growing for  months and years…
STA43461-001Fibromyalgia means I have to work much more slowly on production than I like, and anxiety is really bad for that, as it increases adrenalin, which increases cortisone, which heightens the pain, which reduces my ability to make…nasty vicious circle, that.
Taking time out to meditate, to skywatch and flow watch (Daoist practices) will be key, and silliness like lifting big tubs of plants or bricks to weight mulch because I am so frustrated that the other flats won’t come out and help in the garden multi 086-1has to stop. The chiropractor put my collarbone back in again on Thursday and said I would feel much better afterwards, and I do, but I’m so annoyed I let myself down again…
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I have done a little knitting of cradles and crocheting of the connectors, and already the pain is worse. So I have had a hot shower and a painkiller and an icepack and a nectarine and orange smoothie with organic ginger tea and now I am ready to plan rotations of activity to alternate muscle usage, brain usage and rest.
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Thinking/reflecting/musing/’seeing’ work all help me feel creatively active, and, as importantly, help me with planning artist statements at the different levels they are expected. One of my resolutions to come out of the courses at Nottingham Contemporary was that I would modify my statements to reflect my permaculture beliefs and not spout high flown art-speak. I make good work, that to a large extent, speaks for itself. Thanks to altermodernism, it is less necessary to enfold the art in conceptual smokescreens, and simply to say:
I make art to inspire others to think outside the norms of capitalist consumerism.
I make art to call people to beauty, who may have lost hope in this sick system that it could be possible to live more harmoniously.
I make art to present something so real and so compelling, that previous disbelief is replaced by hope and trust in healing and beauty:
a beauty with wounds that are being treated, issues that are accepted and worked through, but a beauty of balance and sharing and richness of texture, colour and line, that makes you want to reach out and touch, to take home with you, and to live with, a little more each day.
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